Works

installation view: Noite, Galeria Vera Cortês, Lisboa, 2022
photos: Bruno Lopes
view video on vimeo

the visitor (right), 2022
re-worked sculptural fragment (wood probably Spain, late 1700s), wood, electrical components, light bulb
21 x 12 x 9 cm

the visitor (left), 2022
re-worked sculptural fragment (wood probably Spain, late 1700s), wood, electrical components, light bulb
21 x 12 x 9 cm

ghost pains, 2022
Sculptural fragment (polychrome wood, probably Germany, circa 1600), electrical components, light bulbs
76 x 22 x 15 cm

ancient woods, 2022
Prosthetic eyes (glass, Germany, 1900’s), terra cruda, tapestry fragment (wool and silk, Aubusson 1600s)
75 x 175 x 60 cm

Argos, 2021
Tree branch, peacock feathers
49 x 50 x 35 cm

grafting (dead wood), 2021
sculptural fragment (wood, probably flanders, c1600), tree branch, plexiglas
100 x 160 x 80 cm

a touch of the fox / sunambulo, 2022
Prosthetic eyes (glass, India, late 1900’s), terra cruda, wood
20 x 16 x 16 cm

dedo, 2022
appel tree’s root, plexiglas
132 x 36 x 25 cm

Hand (for Mercé), 2021
sculptural fragment (polychrome wood, Portugal 1700’s), camellia tree
aprox 140 x 60 x 50 cm

Ghost, 2021
epoxy resin, white peacock feathers
60 x 21 x 21 cm

Fox song (light), 2021
sculptural fragment (plaster, Portugal, c1900), plaster, eletrical components, lacquered wood
140 x 40 x 40

installation view: Raposa, Casa da Cerca, Almada 2021
photo: António Jorge Silva

Perna (raposa), 2021
sculptural fragment (polychrome wood, Portugal, c1700), mussels, pvc
apr. 110 x 20 x 20 cm

installation view: Liverpool Bienial, 2021
(with Jadé Fadojutimi), photo: Rob Battersby

Atlântico, 2021
suitcase, polyurethane, plaster, paint, mussels, limpets, barnacles, epoxy resin
10 x 70 x 52

Argos, 2021
Tree branch, peacock feathers
49 x 50 x 30 cm

Sonnambula, 2021
mussles from the Atlantic and Mediterranean sea, steel, epoxy resin
157 x 155 x 45 cm

Innesto, 2021
sculptural fragment (painted wood, France or Flanders, early 1600s), platanus branch, plexiglas
157 x 55 x 45

Armadilha, 2020
cardbox, fox
30 x 15 x 15 cm

installation view: le volpi, Galleria Umberto di Marino, Napoli 2021
photos: Danilo Donzelli

Sibilla, 2021
seashell, spirit
14 x 17 x 17 cm

Mezzanotte, 2021
mussels from the Atlantic and Mediterranean sea, steel, epoxy resin
110 x 50 x 50 cm

Heavy foot, 2020
bronze, cut flowers, greener
variable dimensions

André Romão + Lourdes Castro
A sombra da raposa, 1962-2020
installation view: um oasis ao entardecer, MAAT, Lisboa 2020

Hand (for Lourdes), 2020
sculptural fragment (wood, England, date unknown), branch of lemon tree, plexiglas
166 x 100 x 50 cm

Eye (shell), 2020
Plexiglas, bronze, chemical crystallization, venus comb (murex pecten)
130 × 23 × 28 cm

Column (feathers), 2020
PVC, peacock feathers
60 x 8 x 10 cm

Alien kin 1, 2020
beetles, mussels, limpets, peacock feathers
29 x 17 x 24 cm

Eyes (giant), 2020
plexiglas, peacock feathers
10 × 27 × 9 cm

Alien kin 2, 2020
mussels, peacock feathers
33x20x23

Box (easy-peelers), 2020
Cardboard box, prostetic eyes (glass, Gemany, c. 1930)
16 × 25 × 20 cm

amanhá nao haverá flores, 2019
printed polyester
200 x 140 cm

installation view: Flores, Garcia Galeria, Madrid 2019
photos: Roberto Riuz

Pierna izquierda, 2019
sculptural fragment (wood, Portugal, early 1900’s, century), pheasant feathers
26 x 44 x 7 cm

Cabeza (el hambre del monstruo), 2019
sculptural fragment (plaster, England, 1980s), Quartz geode, box

Bag (maré baixa), 2019
plastic bag, coral, epoxy resin

The un-public, 2019
Poster (Calvin Klein corporation, 1993), shell
20 x 70 x 50 cm

Jeans, 2022
jeans, flower
110 x 25 x 16 cm

Chemical sweat, 2017
plexiglas, vaseline
175 x 30 x 30

Pearl, 2020
Goat’s jaw, river pearl
10 x 15 x 18 cm

four poems, 2018
text, vinyl
68 syllable

Now that I have your attention, 2019
Wood, digitaly printed posters
260 x 90 x 90 cm

Tramonto, 2019
plexiglas, computerized lighting system
120 x 200 x 600 cm

installation view, Fauna, Museu Berardo, Lisboa, 2019
room 1

Gerador, 2019
Electric generator, pollen of Acacia saligna and Acacia pycnantha
65x45x45

installation view, Fauna, Museu Berardo, Lisboa, 2019
room 2

1:1 model of the satellite Po-Sat 1, 1993
90 × 75 × 40 cm
Courtesy of Laboratório de Óptica, Lasers e Sistemas da Faculdade de Ciências – Universidade de Lisboa

Of bodies changed to other forms I tell, 2019
Four channel sound installation, text com-posed from fragments of Ovid’s Metamorphosis, performed by Penny Rimbaud and Eve Libertine
endless
listen to sample on vimeo

installation view, Fauna, Museu Berardo, Lisboa, 2019
intermezzo

Upright display cooler, cortesia Olitrem S.A.
Wooden funerary statuette, Egyptian, Middle Kingdom (inv. 997.78.2)
Terracotta Ushabti, Egyptian, New Kingdom (inv. 997.78.1)
Wooden funerary statuette, Egyptian, New Kingdom (inv. 997.78.3)
Oinochoe, Greek, Middle Bronze Age (inv. 997.78.7)
Aryballos, Corinthian, Archaic (inv. 997.78.4)
Aryballos, Corinthian, Archaic (inv. 997.78.5)
Terracotta bust, Greek, Hellenistic (inv. 2000.6.1)
Ceramic jug, Roman (?) (inv. 997.78.6)
Glass, Unguentarium, Roman, Imperial period (inv. 997.78.8)
Courtesy of National Archaeological Museum Lisboa,
donation Ana Hatherly